/AIDG/
WRITING GUIDE
Written by Avsfag
Version 1.0
2020-12-22
Contents
Introduction 4
1 Setting Up 5
1.1 Randomness . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
1.2 Length . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
1.3 Setup TL;DR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
2 World Info 6
2.1 How is World Info Used for Writing Well . . . . . . . . . . . . . . . 6
2.2 World Info TL;DR . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
3 Remember Pin 8
3.1 How to Write for the Remember Pin . . . . . . . . . . . . . . . . . 8
3.1.1 Writing Currently Relevant Information . . . . . . . . . . . 8
3.1.2 Writing Current Scene Information . . . . . . . . . . . . . . 9
3.2 Remember Pin TL;DR . . . . . . . . . . . . . . . . . . . . . . . . . 9
4 Important Technical Details 11
5 How to Write For Results 12
5.1 Starting Out and Guiding the AI . . . . . . . . . . . . . . . . . . . 12
5.2 General Style . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
5.3 /Say . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
5.4 /Do . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
5.5 /Story . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
5.6 Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
5.7 Re-Roll . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
5.8 Redo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
5.9 Getting Lewd (in progress) . . . . . . . . . . . . . . . . . . . . . . 17
5.9.1 Foreplay (Getting the AI to get lewd) . . . . . . . . . . . . 18
5.9.2 Lewd World Info . . . . . . . . . . . . . . . . . . . . . . . . 18
5.9.3 Remember Pin for Lewd Scenes . . . . . . . . . . . . . . . . 18
5.9.4 Writing a Good Sex Scene . . . . . . . . . . . . . . . . . . . 19
5.9.5 Making Sex Last Longer, and Making it Better . . . . . . . 20
5.10 Tips and Tricks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
5.11 How to Write For Results TL;DR . . . . . . . . . . . . . . . . . . . 21
6 Special Inputs 23
6.1 More Verbose Special Input . . . . . . . . . . . . . . . . . . . . . . 24
6.2 Special Inputs TL;DR . . . . . . . . . . . . . . . . . . . . . . . . . 25
7 Q&A (in progress) 26
2
Introduction
“I just wanted to play cops and
robbers, game. Are you really
gonna make me take my dick
out again?”
— Anon
Welcome to the /AIDG/ writing guide, written by Avsfag, with contributions from
special viewers like you. This guide is intended to be a living document, and updated as
new information/updates come out, but more importantly: it is not gospel. It’s possible
information in this guide is outdated or downright wrong — that’s the risk you run when
you attempt to dene the behavior of an unnished application run by a highly-advanced
AI. More importantly: this guide is about writing for results.
That said, I hope this guide is useful to you regardless of whether you’re o ghting
werewolves or fucking them. I’ve had incredibly good results in my sessions with the
AI, but make no mistake: it’s not like this guide will turn the Mormon’s machine into a
full-edged author. The AI will frequently get lost mid-sentence; it will forget characters;
it will throw aliens at you when you’re expecting horses. It will always be a semi-retarded
babboon, and if you can’t tolerate that, this guide is not for you.
4
Setting Up
Chapter
1
“The wolves fear the coomer
mutant.”
— Anon
Strap in, slip those pants o, and get comfy, because we’re going to get started.
First, pull up the game itself by visiting https://play.aidungeon.io/ and making an
account. An account will let you save your adventures, which will be important in
cultivating a rich, immersive experience. Second, dispel the idea that if you follow this
guide it’ll be a seamless process with perfect results. It will not be, and you will have to
work to make your adventure fun and coherent. But if you write well and work with the
AI, you will be heavily rewarded. Make no mistake, the AI can either be extremely good,
or extremely bad. In order to steer the AI towards being extremely good, there’s some
settings we rst have to tweak before you get writing.
1.1 Randomness
Hamburger menu left side Settings Game Tab Randomness
The randomness setting controls how random the AI will be when responding to user
input. The higher this value, the higher degree of randomness. I have mine set between
0.8
and
1.2
. This is because the AI is already fairly random, and the less random, the
better you’ll be able to steer it in your adventure. But you still want a bit of variety.
1.2 Length
Hamburger menu left side Settings Game Tab Length
The length setting controls how much text the AI puts out per response. This value is
its maximum word count (meaning it could also put out less than your maximum value).
The higher this value, the more likely the AI is to lose track of things, and, depending
on your randomness value, the higher the chance of a completely random/incoherent
response. I have mine currently set to
69
. Tweak these values as needed, and keep in
mind, the AI has a limited memory. This is especially important if you’re on Grin.
1.3 Setup TL;DR
Set randomness between 0.8 - 1.3, and set length to whatever you please, keeping in
mind the longer this value the higher the chance of random output.
5
World Info
Chapter
2
“I CANT STOP FUCKING
SALAMANDERS”
— Anon
Start a game Hamburger menu right side Edit Adventure Scroll down World info
World Info is a new mechanic in AID that allows you to create static (but player-
editable) world information. For our purposes, we’re not going to use it just for world
info, but for character information as well.
2.1 How is World Info Used for Writing Well
The AI listens for keys (think tags) in your input or its output. These keys have entries
associated with them that will help guide the AI in making its response. This is essentially
where you dene character information like description, allegiance, personality, attitudes,
behavior, age, and whatever you want to put here. You can also put setting info, plot
details, etc, but we’re focusing on characters for now.
What I do rst in a new game is dene important characters with no less than three
keys that are relevant to the character. In the “Entry” box you have limited text space
(about 500 characters) to describe your character or setting, so try to match eciency
with beauty in dening everything you want the AI to know about your character.
Because the AI is retarded, it’s best to be direct in describing the character, working in
your keys into the entry box. Here’s an example of what a good character might look
like:
Anon, You, Boy
You are a 20-something-year-old human male, hailing from Larion. You’re tall and
corded with muscle from years of hard manual labor on his family’s farm. You’ve
got long brown hair and emerald-green eyes. Your parents passed away at a young
age, leaving you in the care of your cruel aunt. You carry a silver dagger and an
intense disdain for the undead. You hope to join a hunting guild one day. You call
your faithful bloodhound Landy, which you are very fond of.
In the above example, notice:
•
I am referring to Anon as “You” at the start of sentences to really drive it home
to the AI that these are Anon’s attributes. Bad writing IRL? Yes. In AID? No
• I am trying to be brief, yet descriptive (characters are precious)
6
2 World Info 2.2 World Info TL;DR
• Dening base character traits, or traits I want the AI to know about “You”
It’d also be important now to add a World Info entry for Anon’s (Your) dog, Landy, so
the AI can associate Anon and Landy together and make cross-references. Make sure you
talk about two character’s relationship if you reference another character in the World
Info entry box (see above).
Having a World Info entry for yourself and important characters/settings is important
in writing well, because it helps the AI put out more consistent responses for you to work
with.
Adding an entry for yourself is highly recommended, and continuously
adding new entries for characters, locations, plot details etc., makes for a
more consistent experience.
2.2 World Info TL;DR
• Use no less than 3 keys per world info entry
•
Write descriptively, yet eciently, in the entry box. You have 500 characters to
describe a character’s personality, characteristics, description, and relationships to
other characters
•
Add a world entry for yourself using “you” as one of the keys, then refer to yourself
as you in that entry
• Have inter-linking world entries that reference each other
•
Despite all of this, the AI will sometimes ignore your world info -- that’s where the
real work of the writer begins
7
Remember Pin
Chapter
3
“That requires self-restraint. As
a coomer, I don’t have that”
— Anon
Start a game Above the input box The thumbtack button (or type /remember)
The remember pin is a powerful tool because it’s permanent stu the AI remembers,
but the caveat is you only get about 1,000 characters. I treat the remember pin as a
relatively dynamic place to store currently relevant information (meaning it’s going to
change a lot).
For result-focused writing like we’re aiming for, my remember pin has two or more
things in it at minimum:
1.
Currently relevant information about characters that references that character’s
World Info entry if possible.
2.
Information about the current scene, with rich, albeit brief descriptions of the scene
and which characters are in the scene, and what they’re doing.
See what I’m doing here? See how all these tools and static/dynamic data points
reference each other? The remember pin helps you build a web of understanding for the
AI, so it has as much rich prose/information to use when generating a response for you.
3.1 How to Write for the Remember Pin
Remember pin gives you a limited number of characters, so try to be descriptive without
clutter, and for fuck sake, seperate your entries into paragraphs, and be objective. Refrain
from using “you” or “your” in the remember pin. Build the AI a self-referencing web of
information for it to generate content out of.
3.1.1 Writing Currently Relevant Information
Think about the scene. What parameters about the scene’s World Info entries does the
AI need to know to come up with a sane response? If your love interest Becky is currently
on the swim team (and make sure that ends up in her World Info entry) and is about
to start a race, you want to describe her current appearance, feelings, behavior etc. Her
overall general appearance goes in world info, but her current look goes in the remember
pin. For example:
8
3 Remember Pin 3.2 Remember Pin TL;DR
Becky, Anon’s 18-year-old girlfriend, is stripped down to her blue one piece swim-
suit. She paces nervously at the edge of the pool, its lapping surface reected in
her goggles. Becky wears a blue swimming cap that holds back her auburn hair.
Her heart speeds with excitement at the thought of racing against the girls from
RichVille High.
If you were a coomer it’d be appropriate to describe how her toned, pale ass swallows
up her one piece swimsuit, how her sculpted breasts bulge against the rubbery-material,
leaving little to the imagination, etc.
This follows the same pattern from writing World Info in that you practically always
begin the sentence with the subject, and then next sentence the subject’s pronoun. The
AI can get confused easily — in actual writing this is bad form, but when writing with
the AI, you need to hold its hand like this.
3.1.2 Writing Current Scene Information
In a new paragraph, store current scene information. Expect to be changing this entry
a lot as your story progresses, otherwise it’ll confuse the AI. This is kinda similar to
relevant information above, only this is less focused on the character’s details and more
focused on the current scene’s information. Again, using the same style of drilling the
subject into the AI’s head, you should craft an objective summary of the scene. Using
the swim team example from above, here’s how that might look:
Anon is at PoorVille High School to cheer on his 18-year-old girlfriend Becky.
Dressed exclusively in blue PoorVille gear, with a giant foam nger to boot, Anon
watches Becky nervously pace around the pool. Girls from RichVille High strut
arrogantly from the locker room, dressed down in their own golden one piece suits.
He’s doing his best to give Becky his full support. Anon wants Becky to win the
race.
Again, if you were a coomer, maybe say, shit like “Anon can’t wait to bring Becky back
behind the school and fuck her tight pussy in her one piece. His eyes it toward Becky’s
slender legs, but are also drawn to the chests of the girls from RichVille.”
3.2 Remember Pin TL;DR
•
Remember pin is for objective, largely dynamic (changing) information, with a
larger character limit than World Info
• At minimum, remember pin should have two things in it:
–
Currently relevant information about the character(s) — their de-
scriptions, feelings, current actions and behaviors, etc
9
3 Remember Pin 3.2 Remember Pin TL;DR
–
Current information about the scene — what’s happening, who is
involved, what the possible outcomes, and what the character’s ob-
jectives are
• Throughout all of this, try to reference corroborating information in World Info
•
Remember pin is information that will change often, so don’t forget to either clear
it or modify it
10
Important Technical Details
Chapter
4
“Respecting women is addictive”
— Anon
•
The AI responds using GPT-3 models. The rst response from the AI after the
prompt is in GPT-2, but everything after uses GPT-3.
•
According to the FAQ section, The AI can only remember back
10 action-result
pairs
. In order to keep the AI from forgetting things use World Info, the Remember
Pin, and general writing advice.
•
Remember pin is limited to 1,000 characters and World Info entries are limited to
500 characters
Important note: AI Dungeon is always updating — this information is liable to change often.
11
How to Write For Results
Chapter
5
“Got antsy to nish my coom
sesh with a longer scenario and
it turned to a quad
murder/rape.”
— Anon
Finally, I got to the fucking point, and at the fucking point is where I expect to lose 70%
of you. Let’s get this out of the way rst: if you want to get great responses from the AI,
you have to treat the whole thing as a writing game/exercise. It is not a “mash enter
and get gold” situation (though sometimes hitting enter is okay), and the AI will only
get you halfway there. Expect to spend a lot of time re-rolling responses, editing the AI’s
output, and writing in a specic style to create coherent, fun adventures.
Here’s a few things about the AI when it comes to user’s writing:
The AI rewards rich, detail-oriented writing
If you can write well already, you’re in luck. The AI likes it when you get really
specic about things, from the look on a character’s face to the style and brand of
shoes they’re wearing. That said, you’re still going to have to write in a specic
style (covered below).
The AI likes to read things it already knows
By this I mean the AI likes it when you reference things in World Info, the remember
pin, and in the past 20 or so lines. Really drive home details and characters.
The AI has a short attention span
Even if you’re writing with a focus and following the tips in this guide, the AI
might forget your characters entirely, or mix up their pronouns/who is speaking.
This is just how the AI behaves. Luckily, this guide + edit will help you keep the
AI focused and on-track.
5.1 Starting Out and Guiding the AI
As you’re starting out with a scene, do two things: open up your mind to the possibilities
of what might happen, and have a limit for what you’re going to allow. This will give
you a guideline for how much control to exert over the AI, as well as room for the AI
to throw out some interesting twists and responses. Let’s look at an example summary
from an Anon in the thread before we deal with actual output:
>gentle slap my gf
>AI makes her cry and scream for someone to come save her, while describing in detail
how her skin was turning red and then purple
12
5 How to Write For Results 5.2 General Style
First, assess the outcome of the above scene in terms of your constraints for realism.
This might be a totally acceptable response from the AI in your mind, and it might even
click with your World Info. In that case, Godspeed you crazy bastard. But for many of
us, this might be silly and nonsensical. You have a few options in guiding the AI:
1.
Use the pencil icon to edit the AI’s response and make it milder, and then use
Say
,
Do
,
Story
to respond to the AI and keep the plot/scene moving (recommended).
2. Counter the AI with
Story
. This could be something like:
You rub your eyes as if you were waking up from a bad nightmare. Stella’s skin
isn’t changing color; it’s as pale as it’s always been. And she’s not screaming, but
she is crying, and somehow, that hurts you more.
Just be prepared for the results.
3. Re-roll and hope for a saner response.
4. Hit and just roll with it.
The takeaway is that regardless of how carefully-crafted your World Info, remember
pin, and settings are, the AI is still entirely capable of fucking shit up. Be ready to hold
its hand.
5.2 General Style
You putting a leash on the AI is only half of your job. The other half is writing well,
and writing in a way the AI can understand. Writing with rich details and explicitly
referencing characters and locations/plot details involved in the scene (who have world
info and remember pin entries) is the best way to get the AI to put out a response that
falls in the realms of possibility (however you’ve dened those in the section above).
It breaks several writing conventions, but I’ve had GREAT results with the following
formula:
Say
You’re deluded, Dr. Evil, if you think me, Mommy, Goose, and Mormon are
going to let you escape your cave of evil without a ght!
Do
I step to the side, dodging Doctor Evil’s disintegration ray, and at the same
time I draw my pistol and aim it squarely at Doctor Evil’s chest.
Story
Laughing maniacally the evil doctor res his deadly disintegration beam
right at you, Mommy, Goose and Mormon. Mommy and Mormon roll to the side
and evade the beam, but Goose isn’t fast enough — you watch helplessly as Goose
glows bright red. A scream escapes his lips before he explodes into ash.
13
5 How to Write For Results 5.3 /Say
Notice how I’ve highlighted every character that has a World Info entry, and a scene
location that it’s in the remember pin? This gives the AI far more context. It’s also good
practice to eectively lead the AI along. Look at my
Story
example, and pay attention
to what happens to Goose when he’s hit with the beam:
Goose glows bright red. A scream escapes his lips before he explodes into ash.
This way the AI knows Goose dies, glowing bright red, and can add in its own avor.
Maybe Goose’s ash comes together to form a new Goose? Maybe Mommy and Mormon
have something to say about Goose dying? Give the AI some room here to keep you on
your toes as well.
Also take note of how often I’m referring to the characters in the scene, which is
pretty much every sentence. It’s bad writing practice IRL, but good for the AI, as it will
literally forget who is in the scene sometimes. This technique, combined with rich writing
and hand-holding, produces a higher quality scene. And your imagination/threshold for
bullshit is the limit for what can happen in AI Dungeon.
Remember:
In general, the more detailed and explicit your input, the better
the story overall. You are telling a story,not playing a game.
5.3 /Say
This is what you, your character is saying. Try to be explicit and natural in your
dialogue, as if a real human were saying it, with the caveat that you should mention
another character’s name in the dialogue. Again, this is bad practice in actual writing,
but in AI writing it’s a good idea. Some bad dialogue that leaves the AI open to a ton
of interpretation:
Say
What’s down there?
It’s short and extremely open-ended. It gives the AI too much room for randomness
and it doesn’t know who you’re trying to address. Most of all, it’s just lazy. Instead, this
was collected from the thread, and generated a great response from the AI:
Say
Emma, how’s the cargo looking? Everything secure?
This is so much better! It’s natural sounding as far as objective critiques of dialogue
are concerned, and what’s more -- it narrows the AI’s responses. The AI then knows its
next response should detail the cargo and its status, and should involve Emma in some
way. Emma probably has a World Info entry, and relevant scene information is present
in the prompt and remember pin.
1
I wouldn’t edit a single thing out of the AI’s response to this Anon’s dialogue, nor
would I re-roll. Instead I’d totally roll with it. It also doesn’t hurt that this Anon has
1
Here’s the AI’s full response if you’re interested
14
5 How to Write For Results 5.4 /Do
been explicit in his writing and in describing the setting and prompt. Remember,
the
more detail the better.
5.4 /Do
Do
allows you to perform actions and directly impact the output. It’s your arm or dick.
It can take simple or robust input, and takes it in rst person. When writing for results,
this one is really up in the air — sometimes it’s perfectly valid to say, “I smite the
dragon.” BUT, if you want to follow along with the pattern of having lengthy, eshed-out
scenes, you should write something that slows the pace of the AI down a bit. So instead
of just telling the AI that its dragon is dead, try this:
Do
I raise my silver longsword and aim its gleaming tip at the head of the red
dragon, while beginning the incantation to summon a lightning bolt from heaven
to smite the dragon. As I summon the lightning bolt, I say, “Your time has come,
foul beast!”
This gives the AI enough information to know that:
•
You have a gleaming silver longsword (maybe that’s in World Info?) and you’re
pointing it at the dragon
•
The dragon in this scene is red (and depending on your World Info, varies in size
and behavior)
• There might be a lightning bolt in the next scene
• That you are speaking dialogue for the AI to deal with
Again, this is all part of our design pattern: guide the AI along, edit for clarity, and
allow for slight, story-valid variation.
5.5 /Story
Your most powerful tool in your arsenal of actions,
Story
lets you control not just
the scene, but the actions and dialogues of the characters in the scene. This action is
incredibly useful for reacting input, or, more importantly, doing things that you don’t
think the AI is capable of appropriately describing on its own.
Story
input should be in second person present tense, just like everything else (except
for
Do
). When a scene is stalling out, or getting o the rails, use
Story
to correct course
or progress it and set up characters so they either have input, or they reappear (more
on this later).
Of all the actions, this one allows for the most freedom, so write it as you would write
prose, with the caveat being you should beat the AI over the head with what character
15
5 How to Write For Results 5.5 /Story
is where, what they’re saying, and what they’re doing. If you want to make sure your
scenes are rich and full of dialogue and action, follow my advice from the
Do
section and
drag things out. Unless you want an action completed post-haste, try to stretch things
out. For example:
Story
Shower water cascades over your scarred up back, stinging your many cuts.
With one hand against the wall, the other at your side, you spend at least 30
minutes in the shower reecting on today’s battle.
“How could Chad have been so reckless? Why did he charge in, instead of waiting
for my backup?” you say, ghting sobs.
You miss Chad.
There’s a knock at the bathroom door.
“Anon, are you okay in there? You’ve been in the shower for awhile.”
Rena’s voice drifts to you through the mist, guiding your troubled mind back to
reality.
There’s a lot to unpack here, so let’s go over it:
•
We’d use the remember pin and
Story
to establish that Anon (you) is in the shower
after an intense battle, and he’s wounded
•
Giving Anon a posture — even in the shower — could be great bait for the AI to
get into the nitty gritty of how you’re standing, behaving, etc
•
Telling the AI you’ve been in the shower for 30 minutes could color Rena (or
Anon’s) followup dialogue
•
The self-dialogue is important because it will impact the way the AI handles our
battle-scarred Anon
–
When appropriate, make sure you say “you say” as a dialogue tag.
Feel free to add an action or something here, like “ghting sobs.”
•
Again, telling the AI you miss Chad lets it at least know Chad isn’t in this scene,
but it keeps him in memory. This is helpful in case the AI forgets Chad entirely
(and if that happens see the Q&A section for advice)
•
Writing Rena’s voice as angelic colors her personality for you, and tells the AI she’s
probably going to be more caring in her behavior. Rena should hopefully have a
World Info entry as well to help the AI
•
Driving home that Anon is shaken up by saying he has a “troubled mind” will help
the scene unfold a lot better
•
Hitting at the end of a good
Story
hook, instead of using
Story
again, will
prompt the AI to respond on its own to everything you’ve given it
16
5 How to Write For Results 5.6 Edit
Again, apply as much slowed down, rich scene detail as possible, as well as being direct
with who you’re talking to, and who is speaking, while cross-referencing the remember
pin and World Info data. But also keep in mind: you’re writing for your own enjoyment
as well, so make it good. Make what you want to happen, happen.
5.6 Edit
“Hmm?” I ask, eyes closed in ecstasy.
“I’m sorry,” he says and thrusts the knife into my chest repeatedly as I scream.
Edit is the pencil icon above your input box. It’s extremely important you use this
feature often, because the AI will very often get things wrong. No matter how explicit
you’re being, the AI will ip you the bird and do what it wants (but again, that depends
on your tolerance for bullshit and what you had in mind for the scene). It’s important
that you clean up the AI’s output as much as possible. This means xing its grammar,
spelling, making sure it’s getting names right, that the right person is speaking with the
right dialogue, etc. Fixing dialogue tags is especially important because shit can get o
the rails really quick if your once chipper friend gets his dialogue mixed up with the evil
wizard’s.
I use edit to x and clean up dialogue/grammar/whatever, but I also use it to
steer
scenes
. A lot of the time you can have the AI give you a random response that seems
entirely valid and logical until you get to the last line. With edit, you can correct the AI.
This involves playing God a little bit, but sometimes you have to practically write the
story yourself, and sometimes the story writes itself with you cleaning up after it.
5.7 Re-Roll
This is the button to the far right of your commands. It looks like a browser’s refresh
button. Basically if you’re unhappy with the AI’s output, refresh the AI’s response for
something new.
5.8 Redo
Lets you step back in the AI’s response and memory. Did you fuck up big time and roll
with it, only to nd your waifu is canonically dead? Redo and use the edit button, king.
5.9 Getting Lewd (in progress)
I’m well aware many of you are playing this game just to get o. And that’s perfectly
ne — the AI has many uses beyond just stabbing you in the chest and goosing you. So
let’s take a closer look at how to use this writing guide to make this lewd.
17
5 How to Write For Results 5.9 Getting Lewd (in progress)
5.9.1 Foreplay (Getting the AI to get lewd)
First you have to realize this thing can do practically anything you want it to do, and,
if you properly use the tips in this writing guide, so can you.
!!IMPORTANT:
Hamburger Menu Settings Toggle “Safe Mode” o
Let’s apply some of our writing tips, because no matter if you’re slaying or laying a
dragon, you need to master these skills:
1. Using World Info
2. Using Remember Pin
3.
Using verbose and rich writing, repeating details and scenes to keep them in memory,
and then writing the scenes so you don’t end it too soon.
4. Giving the AI room to play around with
5. Heavy editing and guidance of the AI
I’ll go over how these things apply to lewd scenarios. Let’s start with World Info.
5.9.2 Lewd World Info
Basically this is the same information from the standard SFW but with a NSFW bend.
So put a little more emphasis into physical descriptions, giving the AI some queues. Take
Stacy for example. She’s hot. But why is she hot? Maybe you write her World Info entry
like this to describe her sexual features:
Stacy, Slut, Bitch
Stacy, with ass-length blonde hair that falls down like spools of gold, is a gorgeous,
spunky college student, and the daughter of professor Grey. Stacy possesses slim,
rounded shoulders and milky white skin. Stacy’s breasts are her most prominent
feature, sitting at a nice G-cup, adorned with two pink nipples. Her thin waist
pinches inward and then bows out, further exaggerating her womanly curves. She’s
got a nice rounded butt that’s well-supported by her thick, juicy thighs. Stacy
loves to be spanked.
Obviously that’s insanely basic, but here’s the fun part: you can put anything there.
Want to describe how Stacy’s pee tastes? If she has pubes? Put that in there and gooooo.
5.9.3 Remember Pin for Lewd Scenes
Same deal with the SFW remember pin pretty much, only you should bend your writing
towards being raunchy. Describe the scene details in explicit detail if you feel up to it.
Describe the way Stacy’s breasts strain against the fabric of her shirt, or how her plunge
18
5 How to Write For Results 5.9 Getting Lewd (in progress)
neckline barely covers anything as she laughs and giggles at all of Anon’s jokes. Just
take the remember pin advice from earlier, and make it lewder, especially as a sex scene
starts to unfold.
5.9.4 Writing a Good Sex Scene
Writing a good sex scene with the AI requires all the skills you learned about above in
the general writing guide, and for you to do one very, very important thing: slow the
scene down.
See, you can really get the AI to get the hint and just start gobbling your cock with
a bit of
Story
magic, but a good sex scene has tension, buildup, and creativity. The AI
(like you) has a “hair trigger” for sex, and likes to describe an action or two, cum, and
then Count Grey stabs you in the chest. But that’s not hot, nor is it satisfying to you.
Though it may read like ill-informed smut, start with irting and foreplay with the
AI. Treat it like you would a partner, or how your character would treat said AI in your
given setting. Using a mix of
Story
and
Do
inputs, write carefully that you notice his
or her World Info relevant sexual characteristics. So instead of just hugging Stacy, you:
Story
You press your body up against Stacy’s wrapping your arms around her
athletic frame. You can feel her heavy breasts squeezed up against your chest, and
you’re ashamed to admit that you’re starting to feel a little turned on.
What I’ve done in the above example is highlight a few key scene details that signal to
the AI that you’re feeling frisky, or want to do a secks with Stacy. Then the AI will spit
out a response on Stacy’s behalf, and you roll from there, maybe using a
Do
to pinch
Stacy’s butt playfully or something and try to move things along.
You get the idea. Draw. Out. Everything. And that includes the actual fucking too,
and this is where you need to get creative and make heavy use of the editing tool, because
like I said, the AI likes to cum quick and won’t even cuddle aftwards. How do you deal
with this?
First, you need to dig deep into the shallow well of your creativity and nd the naughty
bits that you can use to describe sensory details. Put into
Story
the smell of sweat, the
feel of her pussy engulng your cock, the sounds you and Stacy are making, etc. Then
use
Do
to start moving things around, slap her ass, pull her hair, etc, but fucking
DESCRIBE everything. So if you use
Do
to spank Stacy, write some stu in
Do
about
how her ass jiggles when your palm snaps o it, how you hit her so hard that your palm
actually hurts. That might look like this:
Do
Pull my arm all the way back and wind up, and then, right as I feel Stacy’s
tight pussy start to contract and convulse around my cock in orgasm, spank Stacy
ass red.
19
5 How to Write For Results 5.10 Tips and Tricks
And guess what champ? The AI will heavily reward you when you do stu like this,
and so will your boner and or vagina (pls be in London). The AI can go multiple rounds
and so can you, but given the context of your story, should you? Maybe it’s dangerous
to fuck in the woods with a killer about. Maybe you and Stacy are nobles of rivaling
kingdoms and your love is forbidden. Think about plot too, because the best smut isn’t
just mashing bits together — it’s letting sex be the literal climax to the plot.
5.9.5 Making Sex Last Longer, and Making it Better
The AI will sometimes orgasm and try to move things along in like… three actions, which
is absolutely no fun. So again, you have to get creative, and you also have to make use
of the edit function a lot. Switch positions, describe the position to the AI with
Story
,
do something lewd. Pause the sex to advance the plot with
Say
(this is a good one). Do
stu like that. And if the AI leads o a nal sentence with: “I’m gonna…” then YANK
your dick out of her, describing how it feels with
Story
, and then, in that same
Story
input, use dialogue tags to tell your AI waifu to beg for it.
Alongside using your writing skills to draw out scenes, make sure you keep referencing
your partner’s features to add sensory details (bonus points if your partner’s features are
also in World Info). And it doesn’t always have to be her breasts or his dick — it can be
their glacier-blue eyes or something like that.
Let me nish this section o by reiterating: you can make ANYTHING happen. You
can fuck ANYTHING, in ANY WAY you want. Want to fuck a giant spider up its cloaca?
You totally can, with the right kind of writing. Want to trap a fairy in a glass jar and
take her to the local bukake bar? You sick fuck, that’s possible, but disgusting. The
better the setting and scenario, the more visceral the details, the better the scenes you
get.
Just know the Mormon does have access to your logs, so don’t do anything illegal.
Happy fapping!
2
5.10 Tips and Tricks
1.
It’s important to occasionally use
Story
and set the scene again — both for yourself
and for the AI. Think of it like a scene summary. If you’re in the middle of a boxing
match, absolutely use
Story
to progress the scene and then recap a little of what’s
going on. Remind the AI.
2
For more details on maximizing the AI’s potential for erotic content, read “A Coomer’s Guide to AI
Deungeon”.
20
5 How to Write For Results 5.11 How to Write For Results TL;DR
Story
You bob and weave, ducking low as Murphy’s wild right hook ies just
above your hairline. You’re in the most intense boxing match of your life
against Murphy O’Neil, the Irish heavyweight champion of the world. The
crowd explodes with unrest as Murphy fails yet another attempt to knock
you out in one punch as you step back from his blow.
2.
Add in “feeler scenes” where you kind of lean back and really take in all of what’s
happening to you in rich detail. You could do this with
Do
or
Story
. Just kind
of regurgitate the scene and give the AI an opportunity to carry the scene next.
Again, if you’re boxing against Murphy O’Neil, maybe use
Do
to say you look
around at the crowd, you take in Murphy’s form and study it, reminding yourself
of his dangerous right hook. This should be stu the AI already knows or might
have forgotten due to memory limitations.
3. Break up the ow with Special Inputs.
4.
Periodically remind the AI of plot threads you’d like to see continued. The AI has
a limited memory and will forget important or interesting plot threads within 10
actions.
Say
I can’t believe I was almost kidnapped by the man in black. I hope he
doesn’t nd me here in this treehouse.
5.11 How to Write For Results TL;DR
• GIT GUD AT WRITING (seriously, you need to be a good writer rst)
•
Draw out each and every scene you can with enough detail to kill a horse. Don’t
just eat the cookie — take a hungry bite of it, savor the rich sweetness of the
chocolate or the saltiness of the dough, sigh as your girlfriend places another one
in front of you with a motherly smile on her face.
• Beat the AI over the head with who is saying/doing what
•
Break writing convention and mention another character’s name often in dialogue
to keep them in the scene/AI’s memory
Story
“Thank you for the sword, Charles,” you say, taking the sword.
•
Edit the fucking shit out of the AI’s response and make sure you get the dialogue
right
• Add in “feeler scenes” to recap what’s going on for the AI
21
5 How to Write For Results 5.11 How to Write For Results TL;DR
• Re-roll utter bullshit responses
• Play a character with
Say
and
Do
• Always try to reference World Info and remember pin data
•
Hold the AI’s hand, but also let it have some breathing room. This guide is about
telling a story, not mashing . Sometimes shit doesn’t work out for you.
22
Special Inputs
Chapter
6
“Why interact with family and
friends, when the machine can
simulate better ones?”
— Anon
Special inputs are special, just like you :) They’re inputs that can make the AI do
interesting stu, like generate lists, summarize things, switch perspectives, and more. To
invoke a special input (as far as I know), you use a
Story
command, and write something
like this:
Story
Anna’s POV:
To switch to Anna’s POV. Leave the colons in there as well. This will switch you to that
character’s perspective, but be warned: you’ll have to switch back with a
Story
“Anon’s
POV:” again, and even then, you’ll need to basically write the AI into remembering
you’re Anon.
Here’s a few special inputs that people have found:
• <character’s> POV:
• <character>’s thoughts about <subject>
• <character’s> brain root directory:
• 2nd Person POV:
• Your POV:
• Credits:
• Epilogue:
• In loving memory of:
• Score:
• Deaths:
• Inventory:
• Items obtained:
23
6 Special Inputs 6.1 More Verbose Special Input
• Imagine the smell:
• Summary:
• Achievement unlocked:
• The moral of the story is
• This scene had the following eects on you for the following reasons:
You can use special inputs in some really creative ways, besides just switching perspec-
tives or getting funny results. For example, you can have the AI guide the story with
an explicit, detailed list. To do this, use
Story
, and then describe something another
character is doing that surmises the contents of the list. Cap o the rst sentence with a
colon (indicating a list), and then ll out the rst entry of the list manually by holding
+
to enter in a line break without submitting your text to the AI. Add another
dash to prompt the AI to ll it in using the context you provided it in the rst sentence
+ listitem. An example from the thread:
Story
Your waifu walks over to you and says, ”What kind of sex do you want to
make at me, Anon?” She suggests that you:
— Sneak out behind the school, and make love under the bleachers
—
You’ll get similar responses in a list, which gives you the opportunity to respond to the
AI with a
Say
: “Let’s sneak out behind the school, and make love under the bleachers.”
You can also use these lists to have the AI recall important plot details or past actions,
bringing them back into memory for the AI. You could
Say
:
“You think back to everything that’s happened in the past hour:
— You were chased by a man in black, but managed to escape
—
And then, obviously, the same scene rules from the above sections apply.
6.1 More Verbose Special Input
This one was recently uncovered. By using
Story
and then writing “Description of x:”
(x being whatever you’d like the AI to describe), you can get some really great outputs
which will make your story much verbose, and will remind the AI of a ton of important
details. Just look at this example:
24
6 Special Inputs 6.2 Special Inputs TL;DR
Description of Lenexa‘s architecture: Lenexa is situated on a hilly terrain and it’s
architecture reects this, most buildings here are three–oor walkups. The city
has stone buildings from the Iron Age (prior to your time). The architecture of
the city is an old idiom of ziggurats (oblong shaped temples), mounds (the hilly
terrain) and a type of earthwork ramparts called ramparts (you’ve never heard of
them before).
The city has numerous old wooden buildings, some of which are only one story
high and many of which have thatched roots. They’re old and in dire need of
repair. The city also has a great number of old brick buildings which are rare due
to the fact that they were only just starting to be built during your time and only
in some of the richer areas of the city.
The city also has a high number of small narrow winding streets. These were made
when the hill was built and were necessity to get around the ziggurats.
Description of the clothing of passerbys on the streets of Lenexa: Men wear tunics,
robes or leather aprons over their clothing. Most women wear long dresses or
tunics over their clothing. Some people wear cowls or hoods. Most of the clothing
is in dull colours, though some aprons are brightly coloured and robes and tunics
have colorful patterns. Most clothing is practical in nature, with tunics and robes
having pockets and aprons and leather clothing having armour plating.
6.2 Special Inputs TL;DR
• Special inputs give you new ways to interact with the AI
• Use
Story
and a colon to start your special inputs
•
Use special inputs and lists to have the AI summarize important plot threads to
bring them back into memory
25
Q&A (in progress)
Chapter
7
“yfw you will never see a fairy
take a bath in a glass of your
cum”
— Anon
Question: What do I do if the AI forgot a character?
Answer:
If you don’t have one already, create a World Info entry for them. Then you
need to start writing them back into the scene. The AI has LITERALLY forgotten them,
because its memory is limited.
Story
is a great way to do this, but start giving that forgotten character more than
just lines of dialogue. Remember, the AI has forgotten that character. You need to start
weaving in their physical descriptions (coinciding with those in the World Info) into your
prose, dialogue, the way they slouch, fuck, ght, etc. Expect to use the edit button a lot
here, because the AI isn’t going to remember Chad was loyal to you, and he’s liable to
murder you. If you’re not okay with that, get used to playing God.
Story
You and Stacy continue interrogating the demon, standing tall and proud
against its menacing corporeal form. You try to pu out your chest and appear
intimidating, just like Chad, the blond haired alpha male, would have. Though
Chad is o rescuing a maiden, you can still feel his presence right besides you and
Stacy as you stand before the hulking demon. Chad’s voice echoes in your head:
“just be urself brah.”
Question: What if the response is ALMOST perfect?
Answer: Tweak it to make it perfect, this will only help your future responses.
Question: Hey, how can I get the AI to describe a character it introduces?
Answer:
This can be done a number of ways. I highly recommend you start out with
a
Do
command that says “I study X carefully, eyeing him/her up and down, pausing on
each of their unique features to take them in for myself.”
This will make the AI generate some basic character description. That’s when you take
the reins with Edit and clean up its response, and then hammer home the character’s
description with a followup
Story
interaction/scene. If you like the character, add them
to world info so the AI can take that into account.
Question: Have anons found success getting the AI to track and progress slow body
changes?
Answer, sourced from here:
What you’re expecting is pretty much beyond the
AI’s capabilities even now, but it is at least capable of DOING slow changes.
26
7 Q&A (in progress) 7 Q&A (in progress)
In my experiences, it’s good at describing the changes using comparative terms (ie.
”shorter than yesterday”) but getting it to consistently output exact sizes or something
like you seem to want would be much more dicult to do, although it’s plausible that it
could if you used the exact same format on a regular basis and did it constantly enough
that the AI would remember and pick up on it
The main thing you should do, though, is denitely have a WI set up using a common
term as the key - like ”days pass” and/or ”the next day” if the changes progress daily - if
you’re wanting the changes to be automatic, and then a brief description of what those
changes are
What I like to do is have a second key that it chains into for ”change, transform,
transforming, etc” with a more detailed description of what I want all the changes to
be, and possibly even an end-goal of when the transformation will be ”complete,” but
while the AI does understand the idea of gradual change, it’s been pretty dicult to
get it to be consistent in scale so unless you directly specify body parts gaining/losing
x inches per day and really hammer it in, you might end up with one bout of changes
being ”something looks dierent but you can’t tell what” and the next one being hugely
drastic, so be ready for that.
At the end of it all, you’ll probably still need to use your imagination a little bit, but
hopefully some of that helps.
Question:
Who is Count Grey? Dendrin? Kyros? They keep showing up and derailing
my adventure!
Answer:
These recurring characters are liable to show up at least once in your
adventure. They’re likely due to the fact that the AI was trained on libraries worth
of fanction, old texts, and other sources. Count Grey and his ilk are somewhere in there,
watching… waiting… ready at a moment’s notice to fuck your story up (seriously, if you
run into any of these clowns it’s highly recommended you edit them out or do something
with them).
27
Resources
“Guys I’m getting raped and
abused by a female dragon
she’s cooking my cock and balls
with her re breath”
— Anon
Ahrefs: Word Count ahrefscount
Ahrefs. Word Count. u r l: https://www.wordcount.com/.
Annotations: It counts words, characters, and a few other handy things, too. Excellent
tool for seeing how long your stories are, or whether your Author’s Note is at 150
characters yet.
Avsfag: /AIDG/ Writing Guide v 1.0 avsfag2020org
Avsfag. /AIDG/ Writing Guide v 1.0. 2020.
u r l
:
https : / / docs . google . com /
document/d/1wSz3xlWlqMLFKrLkrO4dNWNZT1vxtrLmq2yGPJj2f4M/edit?usp=sharing.
Annotations: The original, outdated Google Docs version of /AIDG/ Writing Guide.
Browne et al.: Self-Editing for Fiction Writers browne2004
Renni Browne and Dave King. Self-Editing for Fiction Writers. How to Edit Your-
self Into Print. 2nd ed. 2004.
u r l
:
https : / / libgen . is / book / index . php ? md5 =
378DC2ACDDFA931EAD042ABAD32943C4.
Annotations: Read this if you want to learn how to write.
Manwhore: A Coomer’s Guide to AI Dungeon manwhore2020
Manwhore. A Coomer’s Guide to AI Dungeon. Version 4. 2020.
u r l
:
https://guide.
aidg.club/A-Coomers-guide-to-AI-Dungeon/A%20Coomer's%20Guide%20to%20AI%
20Dungeon.html.
Annotations: The comprehensive, up-to-date erotic writing guide.
28
Changelog
“Anyone else have a permanent
erection?”
— Anon
•
26/11/2020 — Guide ported to LaTeX and converted to HTML. Updated format-
ting for stories and World Info examples.
• 17/08/2020 — update to Resources with a r*ddit guide
•
12/08/2020 — minor changes to the /Story. Added a new special input: “imagine
the smell:”
•
11/08/2020 — big day:
moved the guide to version 1.0!
Added another Q&A
about dealing with recurring characters. Started a new section in How to Write
For Results: Getting Lewd (in progress). It’s in its rst draft stage.
•
10/08/2020 - added subsection to Special Inputs about getting more verbose out-
puts using “description of x:”
•
8/08/2020 — new section added: Important Technical Details. Added in a TL;DR
for Chapter 6, as well as a new example. Added a new entry for Tips and Tricks
–
Periodically remind the AI of plot threads you’d like to see continued
•
7/07/2020 — updated the World Info, specically changing the sample world info’s
pronouns from “he” to “you” in response to overwhelming feedback from the thread.
Added Resources. Added Special Inputs. Also added additional tips and tricks:
– Summarizing a scene for the AI
– Adding feeler scenes
•
8/06/2020 — changed randomness output values to
0.8
-
1.2
in order to compensate
for extreme AI variation
Important thing for me to add later (maybe a technical details section at the start?
Use this to inform your writing)
https://aidungeon.io/frequently-asked-questions/
>”The AI can only remember back 10 action-result pairs so anything not in that
window will be forgotten unless you remind the AI about it.”
https://mobile.twitter.com/nickwalton00/status/1289974303757201408 (embed)
29
Changelog Changelog
>”we limit the context to 1024 tokens”
>here’s an explanation of what a GPT-3 ”token” is:
https://nostalgebraist.tumblr.com/post/189212709059/bpe-blues
https://nostalgebraist.tumblr.com/post/620663843893493761/bpe-blues
>tl;dr: most words are represented as either a single token or two, so 1024 tokens
should be between 500 and 1000 words.
>The rst response uses GPT-2:
https://twitter.com/nickwalton00/status/1289946861478936577 (embed)
To add: info Note to Avsfag.
The ”taking in rich details” input rarely gives good results in Grin and and even if
something nice comes out it’s usually no more than sentence long.
Consider adding ”Description of x:” to special inputs for people who want maximum
immersion at minimal costs. Screencap from Grin story, all AI.
30
